An Honest Death: Life's End and Humanist Funerals
by Matthew Engelke
An Honest Death is an intimate and moving ethnographic account of funerals for people who don’t believe in God or an afterlife. Focusing on secular funeral celebrants of the British Humanist Association (now called Humanists UK), the book examines how their ritual work is geared toward helping realize a secular world. There is a strong ethical commitment behind this effort, which is to face death with honesty based on the belief that this life is all we have. For the humanist celebrants and those they serve, this is what allows for a life with meaning and purpose.
Written in a vivid style, the book centers on the lives and the funerals of particular people, from a three-year-old child to a man in his nineties. Anthropologist Matthew Engelke, who trained as a humanist celebrant as part of his research, describes how these officiants try to craft “sincere” funerals, avoiding language and music that might suggest that the person who died had any religious beliefs. The book also captures the highs and lows for humanist celebrants of working in the funeral business—a business that is, for many of them, a kind of vocational calling.
Above all, An Honest Death draws out the tensions in secular humanist thought and practice between reason and the body, rationalism and materialism. Nothing matters more to the humanists than “daring to know” in the Enlightenment tradition, but nothing is so certainly known as the fact that we are finite and embodied creatures.
About the Author
Matthew Engelke is Professor and Chair of the Department of Religion and a member of the Executive Committee of the Institute for Comparative Literature and Society. From 2018-2024, he also served as Director of the Institute for Religion, Culture, and Public Life. Trained as an anthropologist, Professor Engelke’s main research interests are on Christianity, secular humanism, media theory, materiality, and semiotics. He has conducted fieldwork in Zimbabwe and in Britain. He is currently conducting research on the production and reception of James George Frazer’s classic, The Golden Bough.
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